Artist Statement – T. Young
For over three decades, my artistic practice has evolved through a deep exploration of form, line, and spatial relationships. While my early work was rooted in Abstract Expressionism, I gradually shifted toward a more structured approach, drawing inspiration from early to mid-20th century movements such as Constructivism, Suprematism, Concretism, Bauhaus, and De Stijl. These avant-garde practices developed new visual languages to respond to the rapid transformations of their time—industrialization, revolution, and shifting ideologies—a parallel I find increasingly relevant in today’s global climate.
My current work investigates the harmonies and tensions of contemporary life through geometric abstraction. Using a deliberately limited palette and precise compositional elements, I create works that explore the delicate balance between order and disruption. Clean lines intersect with bold shapes, while carefully chosen colors—deep blacks, vibrant reds and blues, warm yellows, earthy tones, and often a touch of gold—create both harmony and dynamic contrast within each piece.
The influence of Concretism guides my practice, particularly in its emphasis on the self-sufficiency of the visual object. Like the Concretists, I view my compositions as independent realities, yet I diverge from pure objectivity by incorporating the rhythms and tensions of modern life. Each work exists in a space between meditation and energy, offering moments of quiet contemplation while reflecting the complex patterns of our daily existence.
This approach gains particular significance when considering abstraction's historical role as a vehicle for free expression. In times of cultural constraint, geometric abstraction has offered a subtle form of artistic freedom. My work continues this tradition, creating space for individual interpretation and personal connection.
My compositions begin with fundamental geometric elements—boxes, circles, lines, triangles—which I layer and intersect to form more complex relationships. These interactions mirror the interconnected nature of contemporary life, where simplicity and complexity coexist in constant dialogue. The resulting works are both decorative and contemplative, offering multiple entry points for engagement while preserving their essential mystery.
Through this ongoing exploration of geometric abstraction, I seek to create work that speaks to our present moment while connecting to the enduring tradition of non-objective art. My goal is to offer spaces for reflection that are both visually striking and conceptually rich—inviting viewers to engage with the formal qualities of each piece as well as their own interpretive journey.
I work almost exclusively with Flashe vinyl emulsion paint, a water-based medium known for its velvety, ultra-matte finish. Originally popularized in the 1960s for fine art, illustration, and scenic design, Flashe allows for a richly saturated surface that absorbs light rather than reflecting it. This quality creates a visual flatness that can make each piece appear printed rather than painted—reinforcing the precision and intention behind every form and color
